Culture making and community (1)
Posted by Paul | Filed under culture
What was emphasised to me most clearly from the Everything conference last weekend was the importance of community & relationship in cultural activity.
The seminar on art by Matt Hatch and David Sorley made the point best – probably because the message and the medium were so well matched.
In the discussion it was clear that the successful place of art in their church came from relationship; that the key was building trust (between the leaders and ‘creatives’ in the church) gradually over a number of projects. On top of this, the church, acting as a regular client, is effectively a benefactor of Sorley’s creative work both in and outside the church.
The words were backed up by the presentation – the interaction and conversation between the two of them during the seminar made the point just as clearly: here was something that worked because of their friendship and mutual confidence.
Broadening this out, maybe we can summarise the importance of relationship in this way: without building trust more adventurous and creative ideas would be dismissed, the community would be impoverished and creatives left frustrated; without regular clients/benefactors the work would be unsustainable.
A similar point comes out in Malcolm Gladwell’s article Late Bloomers. Taking Cézanne as an example he suggests that:
If you are the type of creative mind that starts without a plan, and has to experiment and learn by doing, you need someone to see you through the long and difficult time it takes for your art to reach its true level.
This is what is so instructive about any biography of Cézanne. Accounts of his life start out being about Cézanne, and then quickly turn into the story of Cézanne’s circle.
…
But for Zola, Cézanne would have remained an unhappy banker’s son in Provence; but for Pissarro, he would never have learned how to paint; but for Vollard (at the urging of Pissarro, Renoir, Degas, and Monet), his canvases would have rotted away in some attic; and, but for his father, Cézanne’s long apprenticeship would have been a financial impossibility.
So the first challenge for those wanting in make culture is to make relationships. To lose the caricature of the artist as heroic individual, or to put aside suspicion (depending which side of the fence you are) and to work on building trust and confidence with those around.
Tags: community, culture, Everything Conference
apologetics and the absurd
Posted by Paul | Filed under web sights
The latest article on the Everything Conference website is an interesting piece on the Theatre of the Absurd, with a tenative embrace of the art-form. Definitely worth a read.
Some of the discussion reminds me of Francis Schaeffer’s approach to apologetics: to talk with people to help them see the logical conclusions of their own worldview. And the difficulty of genuinely living consistently with what they believe. Taking a similar approach via the arts is an interesting idea. Has the potential to be a truly incarnational and compassionate apologetic…
Tags: apologetics, culture, Everything Conference
A random walk over culture, art, christianity, etc. with occasional photographs...